Trollope's Singletons

In General

• Aitken, David. '"A Kind of Felicity": Some Notes About Trollope's Style', Nineteenth-Century Fiction, 20 (1966), pp. 337-54.
• Alexander, D. M. "Trollope's Cosmospolitanism," Trollopian, 2:1 (1947): 3-10.
• Anderonson, Amanda. "Trollope's Modernity," ELH, 74 (2007):509-34.
• apRoberts, Ruth. The Moral Trollope. Athen, Ohio: Ohio University Press, 1971.
• Archibald, Diana. Domesticity, Imperialism, and Emigration in the Victorian Novel. Univ of Missouri Pr, 2002. The book analyzes relationship between imperialism and domesticity, as it emerges in the images in Victorian novels of Canada, Australia, New Zealand, and the United States. Main authors discussed include Gaskell, Trollope, Butler, Dickens, Reade, and Thackeray.
• Biggs, Asa. "Trollope and Baghehot," Victorian People. New York: Harper and Row, 1955.
• Blaisdell, Bob, compiler. The Wit and Wisdom of Anthony Trollope.. Yorkshire: Blackthorn, 2003. While this is not a critical or historical book, Blaisdell does take his passages from all of Trollope's fiction, and he accompanies his selections with appropriate and tasteful illustrations by Millais and other Victorian and original illustrators of Trollope's novels.
• Banks, J. A. 'The Way They Lived Then: Anthony Trollope and the 1870s', Victorian Studies, 12 (1968), pp. 177-200.
• Bareham, Tony. Anthony Trollope. New York, 1980.
• Barickman, Richard, Susan MacDonald and Myra Stark. Corrupt Relations: Dickens, Thackeray, Trollope, Collins, and the Victorian Sexual System. New York: Columbia University Press, 1982.
• Booth, Bradford. Anthony Trollope: Aspects of His Life and Art London: Edward Hulton, 1958.
• Bury, Laurent. Seductive Strategies in the Novels of Anthony Trollope (1815-1882) Lampeter, Wales: Edwin Mellen Press, 2004.
• Cadbury, William. 'Shape and Theme: Determinants of Trollope's Forms', PMLA, 78 (September 1982), pp. 326-32.
• Cahiers Victoriens et Édouardiens N°. 58, "Studies in Anthony Trollope", Octobre 2003, a special issue devoted to Trollope. The volume includes: apRoberts, Ruth : "Historicizing Trollope"; Bury, Laurent,"Trollopian Gothic"; Fromonot, Jacqueline, "On the Right to Tell Lies from Benevolent Motives: Trollope's Contribution to the Debate in Dr Thorne"; Jumeau, Alain, "The Way We Live Now, or Trollope in Vanity Fair"; Markwick, Margaret, "The Diocese as Circus"; Nardin, Jane, "Castle Richmond, the Famine, and the Critics"; Picton, Hervé,"Trollope and Tractarianism"; Schoubrenner, Brigitte, "Rachel Ray: The Story of a Modern Mother/Daughter Relationship"; Stone, Donald, "Trollope for the 21st Century: He Knew He Was Right." For abstracts, see http://www.sfeve.paris4.sorbonne.fr/res/rcve58.html
• Clark, John W. The Language and Style of Anthony Trollope. London: Andre Deutsche, 1975.
• Cockerell, Hugh. 'Pray Do Be Punctual', Trollopiana, 27 (1994), pp. 17-22.
• Cockshut, A. O. J. Anthony Trollope: A Critical Study. London: Collins, 1955.
• Cohn, Dorrit. 'Narrated Monologue: Definition of a Fictional Style', Comparative Literature, 18 (1966), pp. 97-112.
• Crosby, Christina. "A Taste For More: Trollope's Addictive Realism," The New Economic Criticism: The New Economic Criticism: Studies at the Interface of Literature and Economics, eds. Martha Woodmansee and Mark Osteen. Routledge, 1999.
• Davies, Hugh Sykes. 'Trollope and His Style', Review of English Studies, 1 (1960), pp. 73-85.
• Durey, Jill Felicity. Trollope and the Church of England. Palgrave Macmillan, 2002.
• Dustin, John E. 'Thematic Alternation in Trollope, PMLA, 77 (1962), pp. 280-87.
• Edwards, P. D. Anthony Trollope: His Art & Scope. St. Lucia, Queensland: University of Queensland Press, 1977.
• Epperly, Elizabeth R. Patterns of Repetition in Trollope. Washington, D. C.: Catholic University of America Press, 1989.
• Flavin, Michael. Gambling in the Nineteenth-Century English Novel: 'A Leprosy is o'er the Land'. Brighton: Sussex Academic Press, 2003. The book includes a chapter on Trollope.
• Fleishman, Avrom The English Historical Novel: Walter Scott to Virginia Woolf. Baltimore: Johns Hopkins Press, 1971.
• Garret, Peter. The Victorian Multiplot Novel. New Haven: Yale University Press 1980, pp. 180-220.
• Gilead, Sarah. 'Trollope's Orphans and the "Power of Adequate Performance"', Texas Studies in Literature and Language, 27 (1985), pp. 86-105.
• Gilmour, Robin. 'Trollope and Englishness', Trollopiana, 16 (1992), pp. 17-30.
• Gindin, James. Harvest of a Quiet Eye. Bloomington: Indiana University Press, 1971.
• Gordon, Albert H. 'Anthony Trollope: The Fall and Rise of His Popularity', Gazette of Grolier Club, 24-25 (June-December 1976-78), 'An Address at a Small Dinner on 16 December 1976', pp. 60-73.
• Hagan, John. 'The Divided Mind of Anthony Trollope', Nineteenth-Century Fiction, 13 (1959), pp. 1-26.
• Hall, N. John, ed. introd. The Trollope Critics. New York, 1981.
• --------------. Trollope and his Illustrators. New York: St. Martin's Press, 1980.
• -------------. 'Trollope: His Reputations, Readers, and Critics', New York Times Book Review, 1995.
• Halperin, John, ed. Trollope: Centenary Essay. New York: St. Martin's Press, 1982.
• Hamer, Mary. Writing by Numbers: Trollope's Serial Fiction. Cambridge: Cambridge University Press, 1987.
• Harvey, Geoffrey. The Art of Anthony Trollope. New York: St Martin's Press, 1980.
• Herbert, Christopher. Trollope and Comic Pleasure. Chicago: University of Chicago Press, 1987.
• James, Henry. 'Anthony Trollope'. Henry James: Essays on Literature: American Writers, English Writers. New York: The Library of America, 1984, pp. 1330-54. First appeared in Century Magazine, July 1883, reprinted in Partial Portraits, 1888.
• Kincaid, James. 'Bring Back the Trollopian', Nineteenth Century Fiction, 31 (1976), pp. 1-14.
• --------------. The Novels of Anthony Trollope. Oxford at the Clarendon Press, 1977.
• Kendrick, Walter M. The Novel-Machine: The Theory and Fiction of Anthony Trollope. Baltimore: Johns Hopkins Press, 1980.
• Koskimies, Rafael. 'Novelists' Thoughts About Their Art: Anthony Trollope and Henry James', Neuphilologische Nitteilungen, 57 (1956), pp. 148-54.
• Kucich, John. "Transgression in Trollope: Dishonesty and the Antibourgeois Elite," ELH, 56:3 (1989): 593-618.
• Lauterbach, Charles E. and Edward S. Lauterbach, 'The Nineteenth-Century Three-Volume Novel', The Papers of the Bibliographical Society of America, 51 (1957), pp. 263-302.
• Letts, John. 'America's Trollope', Trollopiana, 44 (1999), pp. 5-14.
• Letwin, Shirley Robin. The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Massachusetts: Harvard University Press, 1982.
• MacDonald, Susan Peck. Anthony Trollope. Boston: Twayne, 1987.
• Markwick, Margaret. Trollope and Women. London: The Trollope Society, 1997.
• ------------------. New Men in Trollope's Novels: Rewriting the Victorian Male. Hampshire: Ashgate, 2007.
• ------------------, Deborah Morse and Regina Gagnier. The Politics of Gender in Anthony Trollope's Novels:New Readings for the Twenty-First Century. Hampshire: Ashgate, 2009.
• Maunder, Andrew. 'The Caged Lady', Trollopiana, 27 (1994), pp. 15-23. On the repressive nature of women's clothing.
• ---------------. 'Serial Reading', Trollopiana, 38 (1997), pp. 4-17.
• McMaster, R. D. Trollope and the Law. London: Macmillan, 1986.
• Miller, J. Hillis. 'Self Reading Self: Trollope', The Ethics of Reading. New York: Columbia University Press, 1987.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999.
• ------------. 'Partly Told in Letters', Annual Lecture to the Trollope Society, November 1999, Trollopiana, (February 2000), pp. 4-31. Also at: http://www.JimandEllen.org/trollope/partly.told.in.letters.html
• Nardin, Jane. He Knew She Was Right: The Independent Woman in the Novels of Anthony Trollope. Carbondale: Southern Illinois University Press, 1989.
• Oxborne, Hugh. 'Anthony Trollope's Game of Tag', Trollopiana, 40 (1998), pp. 4-22.
• Overton, Bill. 'Trollope: An Interior View', Modern Language Notes, 71 (1976), pp. 489-99.
• -------------. The Unofficial Trollope. New Jersey: Barnes and Noble, 1982.
• Pollard, Arthur. Anthony Trollope. London: Routledge and Kegan Paul, 1978.
• Polhemus, Robert M. The Changing World of Anthony Trollope. Los Angeles: University of California Press, 1968.
• Proskurnin, Boris. 'Trollope in Russia in the Nineteenth Century', Trollopiana, 26 (1994), pp. 11-15.
• Ray, Gordon N. 'Trollope at Full Length', Huntington Libary Quarterly, 31 (1968), pp. 313-37.
• Riffaterre, Michael. "Trollope's Metonymies," Nineteenth-Century Literature, 37:3 (1982):272-92.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.
• Rose, Phyllis, "Embedding Trollope," The American Scholar, 72:3 (2003), 5-10.
• Rowe, John Carlos. The Theoretical Dimensions of Henry James. London: Methuen, 1985. Rowe includes a discussion of Trollope's work in terms of James's response to it; the perspective is taken from Bloom's theory of an anxiety of influence between an earlier artist and the man influenced by him.
• Sadleir, Michael. Trollope: a commentary. Oxford: Oxford University Press, 1945. Third Edition.
• Skilton, David. Anthony Trollope and his Contemporaries. New York: St Martin's Press, 1996.
• Slater, Michael. 'Mr Popular Sentiment', Trollopiana, 32 (1996), pp. 5-22.
• Smalley, Donald, ed. Trollope: The Critical Heritage. London: Routledge and Kegan Paul, 1969.
• Stone, Donald D. 'James, Trollope and "the Vulgar Materials of Tragedy", The Henry James Review, 10 (1989), pp. 100-3.
• Swingle, L. J. Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Thought. Ann Arbor: University of Michigan Press, 1990.
• Snow, C. P. 'Trollope's Art I and II' in Trollope: An Illustrated Biography. New York: New Amsterdam, 1975, pp. 106-16, 153-66.
• Thale, Jerome. 'The Problem of Structure in Trollope', Nineteenth-Century Fiction, 15 (1960), pp. 147-57.
• Terry, R. C. Anthony Trollope: The Artist in Hiding. Towota, New Jersey: Rowman and Littlefield, 1977.
• ------------. A Trollope Chronology. London, 1989.
• Tingay, Lance. 'Trolloe's Popularity: A Statistical Approach', Nineteenth-Century Fiction, 11 (1956), pp. 223-29.
• Tracy, Robert. Trollope's Later Novels. Berkeley: University of California Press, 1978.
• Trollope, Anthony. 'On English Prose Fiction as a Rational Amusement', Four Lectures, Morris L. Parrish. London, 1980.
• Turner, Mark. Trollope and the Magazines: Gendered Issues in Mid-Victorian Britain. London: Palgrave Macmillan, April 2000.
• Vann, J. Don. Victorian Novels in Serial. New York: Modern Language Association of New York, 1985. This book includes detailed explanatory analyses of the divisions of many of the best known novels published during Trollope's era. For Trollope the reader will find the instalment and earliest volumed publications of 34 novels, from Framley Parsonagethrough to The Landleaguers. This is an extremely useful book.
• Wall, Stephen. Trollope: Living with Character. New York: Henry Holt, 1988.
• Watson, George. Trollope's Forms of Address', Critical Quarterly, 15 (1973), pp. 219-30.
• Wijesinkha, Rajiva. The Androgynous Trollope. Washington, D. C.: The University Press of America, 1982. This excellent study deserves to be better known.
• Wright, Andrew. Anthony Trollope: Dream and Art. Chicago: University of Chicago Press, 1983.
• Zauli-Naldi, Camilla. 'James e Trollope', Studi americani, 3 (1957), pp. 205-19.

A number of the above books have separate chapters on various of the books listed below. I have not separated them all out.

La Vendée

• Balzac, Honoré. The Chouans, translated from the French and introduced by Marion Ayton Crawford. New York: Penguin,1972.
• Carlyle, Thomas. The French Revolution, ed. introd. K. J. Fielding and David Sorensen. Oxford: Oxford University Press, 1989.
• Cobb, Richard. The People's Armies: The armée révolutionaries: instrument of the Teror in the departments April 1793 to Floréal Year II, translated from the French by Marianne Elliott. New Haven: Yale University Press, 1987.
• Cormack, W. J., "Introduction to La Vendée. New York: Oxford University Press, 1994.
• Fleishman, Avrom The English Historical Novel: Walter Scott to Virginia Woolf. Baltimore: Johns Hopkins Press, 1971.
• Horder, Mervyn, "Introduction" to La Vendée. London: Trollope Society, 1999.
• Scott, the Honorable Mrs Maxwell. The Life of Madame de La Rochejaquelein. London: Longmans and Green, 1911.
• Lukacs, Georg. The Historical Novel, translated from the German by Hannah and stanley Mitchell. Prefaced by Irving Howe. Boston: Beacon Press, 1963.
• Tilley, Charles. The Vendée: A Sociological Analysis of the Counterrevolution of 1793. New York: Wiley, 1964.

The Three Clerks

• Bareham, Tony. 'Patterns of Excellence: Theme and Structure in The Three Clerks, Anthony Trollope, ed. Tony Bareham. Towota: New Jersey, Barnes and Noble, 1980, pp. 54-80.
• Moody, Ellen. 'An Annotated Description and Commentary on the original illustrations', see http://www.JimandEllen.org/trollope/picture3.htm.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.

The Bertrams

• Dessner, Lawrence Jay. 'The Autobiographical Matrix of Trollope's The Bertrams', Nineteenth-Century Literature, 45 (1989), 25-38
• Harvey, Geoffrey. 'Introduction'. Anthony Trollope, The Bertrams, ed., Geoffrey Harvey. 1859 edition. Oxford: Oxford University Press, 1991. This introduction is one of the best things ever written on this novel.
• Skilton, David. 'Introduction', Anthony Trollope, The Bertrams. London: The Trollope Society, 1993.

Orley Farm

• Adams, Robert N. 'Orley Farm and Real Fiction', Nineteenth-Century Fiction, 8 (1953-54), pp. 27-41.
• Booth, Bradford, 'Trollope's Orley Farm: Artistry Manqué, From Jane Austen to Joseph Conrad: Essays Collected in Memory of James T. Hillhouse, ed. R. C. Rathburn and M. Steinmann, Jr. Mnneapolis: University of Minneapolis Press, 1958, pp. 146-59.
• Gilead, Sarah. 'Trollope's Orphans and the "Power of Adequate Performance"', Texas Studies in Literature and Language, 27 (1985), pp. 86-105.
• King, Margaret F. 'Trollope's Orley Farm: Chivalry versus Commercialism', Essays in Literature, 3 (1976), 181-93.
• King, Margaret F. 'The Place of Lucius Mason in Trollope's studies of perversity', South Atlantic Bulletin, 45 (1981), pp. 43-54.
• McMaster, R. D. Trollope and the Law. London: Macmillan, 1986, pp. 32-50.
• Moody, Ellen. 'An Annotated Description and Commentary on the original illustrations.' For a full description and commentary on all the original full-page illustrations by John Everett Millais, see http://www.JimandEllen.org/trollope/picture1.htm.
• Reiter, Paula Jean, "Husbands, Wives and Lawyers: Gender Roles and Professional Representations in Trollope and the Adelaide Bartlett Case," Un-disciplining Literature, ed. Lostas and Linda Myrisiades. New York: Peter Lang, 1999. Actually on Orley Farm.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.
• Skilton, David. 'Introduction'. Orley Farm, ed. David Skilton. 1935; reprint Oxford: Oxford University Press, 1985.

Rachel Ray

• D'Agostino, Rose C. 'Anthony Trollope's Rachel Ray, A Critical Edition: Volumes I and II. Ph.D. Dissertation, State University of New York at Albany, 1982.
• Ball, Michael. 'Rachel Ray and the Evangelicals', Trollopiana, 34 (1996), pp. 18-22.
• Edwards, P. D. 'Introduction', Anthony Trollope Rachel Ray, ed. P. D. Edwards. Oxford: Oxford University Press, 1988.
• Letts, John. 'Introduction', Anthony Trollope em>Rachel Ray, London: The Trollope Society, 1990. This edition includes a reprint of the original frontispiece and watercolour painting by John Everett Millais of the heroine. See http://www.JimandEllen.org/trollope/picture2.htm for a full description and commentary.
• Markwick, Margaret. 'Ways of Telling: James and Trollope', Trollopiana, 44 (1999), pp. 15-23.
• Schoubrenner, Brigitte, "Rachel Ray: The Story of a Modern Mother/Daughter Relationship," Cahiers Victoriens et Édouardiens No 58," Studies in Anthony Trollope," Octobre 2003.
• Wright, Andrew. 'Introduction', Anthony Trollope, Rachel Ray. 1863; reprinted New York: Arno Press, 1981, Volume I, unpaginated. This edition includes a reprint of the original frontispiece and watercolour painting by John Everett Millais of the heroine.

Miss Mackenzie

• Cockshut, A. O. J. 'Introduction'. Anthony Trollope, Miss Mackenzie, ed. A. O. J. Cockshut. 1924; reprinted Oxford: Oxford University Press, 1988.
• James, Henry. 'Miss Mackenzie: A Novel. By Anthony Trollope. New York: Harper & Brother, 1865. In Henry James: Essays on Literature: American Writers, English Writers. New York: The Library of America, 1984, pp. 1312-17. First appeared in the Nation, July 13, 1865.
• Moody, Ellen. 'A Brief description and commentary of the original illustrations.' See http://www.JimandEllen.org/trollope/picture3.htm

The Claverings

• Cohen, William A. Sex Scandal: The Private Parts of Victorian Fiction. Durham, NC: University of North Carolina, 1996.
• Coleman, Anthony. 'Sir John Brute on the Eighteenth-Century Stage', Restoration and Eighteenth- Century Theatre Research, 8 (1969), pp. 41-46.
• Donaldson, Norman. 'Introduction', The Claverings. Republication of novel as it first appeared in the 1867 Cornhill. It includes the final page of Chapter VI mistakenly excluded from all other editions, and the complete set of full-page illustrations and rubrics drawn by Mary Ellen Edwards. New York: Dover, 1977. This is a very good essay on the novel; it includes suggestions as to the sources of the villainess in Sheridan LeFanu's Uncle Silas.
• Epperly, Elizabeth. 'Trollope's Reading of Old Drama', English Studies in Canada, 13 (1987), pp. 281-303.
• Foster, Verna A. 'A Review of Sir John Vanbrugh's The Provok'd Wife', performed by the Peter Hall Company at the Old Vic, Lndon, July 1997', Restoration and Eighteenth-Century Theatre Research, 12 (1997), pp. 68-71.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999. Chapter Five: 'The Claverings, pp. 99-127. For a full description and commentary on the original illustrations, see or a full description and commentary see http://www.JimandEllen.org/trollope/picture3.htm.
• Arthur Pollard, 'Trollope's Idea of the Gentleman', Trollope: Centenary Essays, ed. John Halperin (New York, 1982), pp. 86-94.
• Vanbrugh, John. The Provok'd Wife, ed. James L. Smith. London: New Mermaid, 1974, I.i.16-41, III.i.1-140, 328-447; IV.iv.149-207.
• Alexander Welsh. George Eliot and Blackmail. Cambridge, Massachusetts: Harvard University Press, 1985.

The Belton Estate

• Halperin, John. 'Introduction', Anthony Trollope, The Belton Estate, ed. John Halperin. 1923; reprinted Oxford: Oxford University Press, 1986.
• James, Henry. 'The Belton Estate. By Anthony Trollope. Philadelphai: J. B. Lippincott & co., 1866. In Henry James: Essays on Literature: American Writers, English Writers. New York: The Library of America, 1984, pp. 1322-26. First appeared in the Nation, January 4, 1866.
• Skilton, David. 'Introduction', Anthony Trollope, The Belton Estate. London: The Trollope Society, 1991.

He Knew He Was Right

• apRoberts, Ruth. 'Emily and Nora and Dorothy and Priscilla and Jemima and Carry', The Victorian Experience, ed. R. A. Lewine. Kent: Kent State University Press, 1976, pp. 89-94.
• Broughton, Trev. 'The Froude-Carlyle Embroilment: Married Life as a Literary Problem', Victorian Studies, 38 (Summer 1995), pp.
• Davies, Robertson. 'Introduction', Anthony Trollope, He Knew He Was Right. London: The Trollope Society, 1994, pp. xii-xiv.
• Gatrell, Simon. 'Jealousy, Mastery, Love and Madness: A brief reading of He Knew He Was Right', Anthony Trollope, ed. Tony Bareham. New York, 1980, pp. 95-115.
• Herbert, Christopher. 'He Knew He Was Right and the Duplicities of Victorian Marriage', Texas Studies in Language and Literature, 25 (1981), pp. 449-69.
• James, Henry. 'Anthony Trollope', Literary Criticism. New York: Library of America, 1984, pp. 1335-39, 1351-2.
• Kermode, Frank. 'Introduction', Anthony Trollope, He Knew He Was Right. New York: Penguin, 1994, pp. vii-xxi.
• Moody, Ellen, 'A Posting to Trollope-l' quoted by Henry Vivian-Neal, 'Postings from the Internet', Trollopiana: The Journal of the Trollope Society, 34 (1996), pp. 7-8.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999. Chapter Three: 'He Knew He Was Right', pp. 47-80.
• Padel, Ruth. Whom Gods Destroy: Elements of Greek and Tragic Madness. Princeton: Princeton University Press, 1995, pp. 3-33.
• Stone, Donald D. 'James, Trollope and "the Vulgar Materials of Tragedy", The Henry James Review, 10 (1989), pp. 100-3.
• Surridge, Lisa. Bleak Houses: Marital Violence in Victorian Fiction. Ohio University Press, 2005. One chapter on He Knew He Was Right.
• Sutherland, John. 'Introduction', Anthony Trollope, He Knew He Was Right. New York: Oxford University Press, 1985), pp. xv-xxiii.
• Thorp, Willard. 'Trollope's America', Two Addresses Delivered to Members of the Grolier Club, October 18, 1949, pp. 5-23.
• Weisenthal, C. S. "The Body Melancholy: Trollope's He Knew He Was Right, Dickens Studies Annual, 23 (1994): 227-58.

The Vicar of Bullhampton

• Anglesey, Marquess of. 'Trollope's Marquises and Marchionesses', Trollopiana 35 (1996), pp. 4-10.
• Cadbury, William. 'The Uses of the Village: Form and Theme in Trollope's The Vicar of Bullhampton, 18 (1963), pp. 151-63.
• Halperin, John. 'Introduction'. The Vicar of Bullhampton, ed. John Halperin. London: The Trollope Society, 1998.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.
• Skilton, David. 'Introduction'. The Vicar of Bullhampton, ed. David Skilton. 1924; reprinted Oxford: Oxford University Press, 1988.

Ralph the Heir

• Letts, John. 'Introduction', Anthony Trollope, Ralph the Heir. London: The Trollope Society, 1996.
• Sutherland, John. 'Introduction', Ralph the Heir, ed., John Sutherland. Oxford: Oxford University Press, 1990. This edition includes two appendices, one an essay on Trollope's experience at Beverley which is directly mirrored in the novel, and the other on Charles Reade's dramatisation of the novel as Shilly-Shally. Much to Trollope's surprise this novel was a commercial success.

Lady Anna

• Drinker, Henry S. 'The Lawyers of Anthony Trollope', Two Addresses Delivered to the Members of the Grolier Club. New York, 1950, pp. 25-47.
• 'English Law', Encyclopedia Britannica. 11th edn, New York, 1910, ix, pp. 600-7.
• Ford, John. The Fancies Chast and Noble, ed. Dominick J. Hart. New York, 1985.
• Johnson, Paul. 'Introduction', Anthony Trollope, Lady Anna. London: Trollope Society, 1990, pp. vii-xv.
• Maitland, F. W. Justice and Police. London, 1885), pp. 20-42.
• McMaster, R. D. Trollope and the Law. London: Macmillan, 1986, pp. 119-34.
• Miller, J. Hillis. 'Introduction', Anthony Trollope, Lady Anna. 1874 edition: reprinted New York: Arno Press, 1981.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999. Chapter Seven: 'Lady Anna', pp. 155-80.
• Orgel, Stephen. Lady Anna, ed. Stephen Orgel. 1984; reprinted Oxford: Oxford University Press, 1990.
• Poole, Daniel. What Jane Austen Ate and Charles Dickens Knew. New York: Simon and Schuster, 1993, pp. 21-22, 127-30.
• Wall, Stephen. Anthony Trollope: Living with Character. New York, 1988, pp. 305-14.
• The Weakest Goeth to the Wall as it hath bene sundry times plaide by the right honourable Earle of Oxenford, Lord great Chamberlaine of England his Servants. Anonymous. First Edition. London. Printed by Thomas Creede, for Richard Olive, dwelling in Long Lane, 1600.

The Way We Live Now

• Banks, J. A. 'The Way They Lived Then: Anthony Trollope and the 1870s', Victorian Studies, 12 (1968), pp. 177-200.
• Edwards, P. D. 'The Chronology of The Way We Live Now, Notes and Queries, New Series, 16 (June 1969), pp. 214016,
• Hornback, Bert G. 'Anthony Trollope and the Calendar of 1872: 'The Chronology of The Way We Live Now, Notes and Queries, 208 (1963), pp. 454-57.
• Jones, Iva G. 'Patterns of Estrangement in Trollope's The Way We Live Now, Amid Visions and Revisions: poetry and criticism on litearture and the arts. Baltimore: Morgan State University Press, 1985.
• Jumeau, Alain, "The Way We Live Now, or Trollope in Vanity Fair," Cahiers Victoriens et Édouardiens No 58," Studies in Anthony Trollope," Octobre 2003.
• McMaster, R. D. 'Women in The Way We Live Now, English Studies in Canada, 7 (1981), pp. 68-80.
• Nathan, Sabine. 'Anthony Trollope's Perception of The Way We Live Now, ZZA (East Berlin), 10 (1962), pp. 259-78.
• Slakey, Roger L. 'Melmotte's Death: A Prism of Meaning in The Way We Live Now, English Literary History, 34 (1967), pp. 248-59.
• Smith, Monika. "Trollope's Dark Vision: Domestic Violence in The Way We Live Now, Victorian Review, 22:1 (1996):12-31.
• Sutherland, John. 'Trollope at Work on The Way We Live Now, Nineteenth-Century Fiction, 37 (1982-83), pp. 472-93.
• ----------------. 'The Commercial Success of The Way We Live Now: Some New Evidence', Nineteenth-Century Fiction, 40 (1986), pp. 460-67.
• -----------------'Is Melmotte Jewish?', in Is Heathcliff a Murderer?. New York: Oxford, 1996.
• Sutherland, John. 'Introduction' and Appendices. Anthony Trollope, The Way We Live Now, ed., introd. John Sutherland. 1941; reprinted Oxford: Oxford University Press, 1991. This edition includes essays on the topography of the novel, uses of dialect, on the composition and publication of the text, as well as an essay on Trollope's original working materials towards the novel.
• Tanner, Tony. 'Trollope's The Way We Live Now: Its Modern Significance', Critical Quarterly, 9 (1967), pp. 256-71.
• Tracy, Robert. 'Introduction' and Appendices. Anthony Trollope, The Way We Live Now, ed. Robert Tracy. Indianapolis, New York: Bobbs-Merrill Library, 1974. This edition includes Trollope's comments about the novel, his notes towards it, some letters by him referring to it. The text is that of the first edtion in 1875, collated with the first installment publication between February 1874 and September 1875, with the divisions carefully noted and dated.

Is He Popenjoy?

• Anglesey, Marquess of. 'Trollope's Marquises and Marchionesses', Trollopiana 35 (1996), pp. 4-10.
• Victorian Studies, 12 (1968), pp. 177-200.
• D., T. C. 'Victorian Editions and Victorian Delicacy', Notes and Queries, 187 (2 December 1944), pp. 251-53.
• Juckes, Anthony. 'Pagans and Popinjays', Trollopiana, 46 (1999), pp. 13-22.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.
• Skilton, David. 'Introduction'. Anthony Trollope, Is He Popenjoy?. London: The Folio Society, 1998. This edition includes 16 full-page illustrations by Kate Aldous dropped into the text in the appropriate places. They make for interesting study against the text. Skilton's essay is good. The Trollope Society edition is exactly the same with exactly the same introduction by Skilton, minus the illustrations.
• Sutherland, John. Is He Popenjoy?, ed. John Sutherland. Oxford: Oxford University Press, 1986. The essay is superb.

The American Senator

• apRoberts, Ruth. 'Trollope's One World', South Atlantic Quarterly, 68 (1969), pp. 463-77.
• Auchinloss, Louis. 'Introduction'. Anthony Trollope, The American Senator. London: The Trollope Society, 1994. The text of this editin is that of the original serial publication in Temple Bar betwene May 1876 and July 1877 corrected against the first book edition of Chapman and Hall 1876.
• Banks, J. A. 'The Way They Lived Then: Anthony Trollope and the 1870s', Victorian Studies, 12 (1968), pp. 177-200.
• Fox-Hunting, Volume III of The Lonsdale Library, by Sir charles Frederick, Bt., M.F.H., Cecil Aldina, M. F. H., James Andrews, M.C., M.B., et alia. London: Selley, Service and Co, n.d. but published in the first decade of this century. Essential for understanding this novel is an understanding of the details of fox-hunting, its politics, its realities.
• Greenberg, Clement. 'A Victorian Novel', Partisan Review, 11 (1944), pp. 234-38; also in a later revised form Trollopiana, 38 (1997), pp. 18-23.
• Hagan, John. 'The Divided Mind of Anthony Trollope', Nineteenth-Century Fiction, 13 (1959), pp. 1-26.
• Halperin, John. 'Introduction'. Anthony Trollope, The American Senator, introd. John Halperin. 1931; reprinted Oxford: Oxford University Press, 1986.
• Harden, Edgar F. 'The Alien Voice: Trollope's Western Senator', Texas Studies in Language and Literature, 8 (1966-67), pp. 219-34.
• Hynes, John. G. 'The American Senator: Anthony Trollope's Critical 'Chronice of a Winter at Dillsborough', English Studies, 69 (1988), pp. 48-54.
• Stryker, David. 'The Significance of Trollope's American Senator, Nineteenth-Century Fiction, (September 1950), pp. 141-49.
• Taylor, Robert. 'The Manuscript of Trollope's The American Senator Collated with the First Edition', Papers of the Bibliographical Society of America, 1? (1947), pp. 123-39.
• Thorp, Willard. 'Trollope's America', Two Addresses Delivered to Members of the Grolier Club, October 18, 1949, pp. 5-23.

John Caldigate

• Hall, N. John. 'Introduction'. Anthony Trollope, John Caldigate, ed., introd. N. John Hall. 1946; reprinted Oxford: Oxford University Press, 1993.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth-Century Fiction, 6 (1952), pp. 247-68.
• Terry, R. C. 'Introduction'. Anthony Trollope, John Caldigate, ed. R. C. Terry. London: The Folio Society, 1995. The text is taken from the the serial instalment in Blackwood's between April 1878 and June 1879. This edition includes 16 full-page illustrations by Francis Mosley dropped into the text in the appropriate places. They are often from the sections about or placed Australia. One is of a tall clipper sailing ship. They are worth looking at against the text. The Trollope Society edition is exactly the same with exactly the same introduction by Terry, minus the illustrations. Again the introduction is good.

Ayala's Angel

• Chapman, R. W. 'The Text of Trollope's Ayala's Angel, Modern Philology, 39 (February 1942), pp. 287-294.
• Goldstein, Martin. 'Ayala Asleep', Trollopiana, 36 (1997), pp. 18-22.
• Metz, Nancy Aycock. 'Ayala's Angel: Trollope's late fable of change and choice', Dickens Studies Annual, 9 (1981), pp. 217-32.
• Miller, J. Hillis. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. Notre Dame, Indiana: University of Nortre Dame Press, 1968, pp. 124-39.
• Thompson, Julian. 'Introduction'. Ayala's Angel, ed. Julian Thompson. 1929; reprinted Oxford: Oxford University Presss, 1986.

Marion Fay

• Dormandy, Thomas. The White Death: A History of Tuberculosis. London: Hambledon Press,1999.
• Harvey, Geoffrey. 'Introduction'. Anthony Trollope, Marion Fay, ed. Geoffrey Harvey. Oxford: Oxford University Press, 1992. The text is that of the 1882 edition brought out by Chapman and Hall.
• Miller, J. Hillis. 'Introduction'. Marion Fay, introd. J. Hillis Miller. London: The Trollope Society, 1997.
• Windus, William Lindsay, 'Too Late' (signed and dated 1858), an oil painting of a young girl ill with tuberculosis; see Christopher Wood, Victorian Panorama: Paintings of Victorian Life. London: Faber and Faber, 1976, p. 98 and plate. For his efforts to paint the truth, Windus, a Liverpool painter, was excoriated by the press and gave up painting as a professional career. This attitude towards T.B. should be kept in mind while reading Marion Fay as well of course as the deaths of his two sisters and brother from the disease.

Mr Scarborough's Family

• Harvey, Geoffrey. 'Introduction'. Anthony Trollope, Mr Scarborough's Family, ed. Geoffrey Harvey. Oxford: Oxford University Press, 1989. Harvey has carefully corrected a 1973 reprint of the 1883 Chattus and Windus text against the actual 1883 text. The text that appeared serially in All the Year Round between 27 May 1882 and 16 June 1883, was bowdlerised to make the central male, Mr Scarborough less offensive to readers.
• ----------------. "A Parable of Justice: Drama and Rhetoric in Mr Scarborough's Family, Nineteenth Century Fiction, 37 (1982), 419-29.
• Juckes, Anthony. 'Pagans and Popinjays', Trollopiana, 46 (1999), pp. 13-22.
• McMaster, R. D. 'Trollope and the Terrible Meshes of the Law': Mr Scarborough's Family, Nineteenth-Century Fiction, 36 (1981), pp. 135-56.
• --------------. Trollope and the Law. London: Macmillan, 1986, pp. 135-53.
• Mullen, Richard. 'Introduction'. Anthony Trollope, Mr Scarborough's Family, ed., introd. Richard Mullen. London: The Trollope Society, 2000.
• Wright, Andrew. "Trollope Revises Trollope," John Halperin, ed. Trollope Centenary Essays (Macmillan, 1982), pp. 109-33. Also in Wright's Dream and Art (Macmillan, 1983), pp. 147-54.

[I list the fictions in chronological order, and then places the best edition first. Criteria for 'best' include returning to the original text, a scholarly introduction and notes, indications of the novel's original divisions, and finally inclusion of original illustrations and matter relevant to contemporary issues in the form of appendices. Each of the Trollope Society editions has been reprinted by the Folio Society. These Folio Society editions provide piquant 20th century illustrations scattered throughout the text in the style of the 19th century (full-page, dropped into the novel facing the page where the text referred to is printed &c); they also sometimes have a different introductory essay. I have only listed those Folio Society editions which I have seen.

There is still no complete scholarly edition of Trollope's novels. I list for the convenience of the reader those editions which are respectable or have some merit (based on a collation of good texts or a good text, having a solid scholarly-critical introduction and notes, containing a reprint of the original illustrations to the novel, having an introductory essay which is of interest for the critical commentary) known to me. I have included a description of the edition if the edition has something which makes it better than the the others on this list. If any reader who comes to this site knows of good editions not cited below, I would be very grateful for information on these, and after checking, would add the citation to the list below.]

• Trollope, Anthony. La Vendée, ed. W. J. McCormack. New York: Oxford Unversity Press, 1994.
• -----------------. La Vendée, introd. Mervyn Horder. London: Trollope Society, 1999. There is a Folio Society edition which uses a facsimile of the same text and includes modern illustrations.
• -----------------. La Vendée. Lond and New YOrk: Ward and Lock, 1904.
• -----------------. The Three Clerks, ed., introd. Graham Handley. 1907; reprinted Oxford: Oxford University Press, 1989. This edition includes two appendices, one of which includes a reprint of Trollope's lecture-essay 'The Civil Service, and the other all the cuts from the 1859 edition of the novel (of interest in relation to the characterisation of Harry, Alaric and Gertrude).
• -----------------. The Three Clerks. New York: Dover, 1981. An unabridged, unaltered republication of 1860 edition.
• -----------------. The Bertrams, ed., introd. Geoffrey Harvey. 1859 edition. Oxford: Oxford University Press, 1991.
• -----------------. The Bertrams. Unabridged unaltered republication of 1866 edition. New York: Dover, 1986.
• -----------------. Orley Farm, introd. John Mortimer. London: The Trollope Society, 1993. This edition includes all forty full-page illustrations by John Everett Millais as they occurred in the original edition.
• -----------------. Orley Farm. New York: Dover, 1981. A republication of unabridged edition published in two volumes by Chapman and Hall in 1860. This edition includes all forty full-page illustrations by John Everett Millais as they occurred in the original edition. See http://www.JimandEllen.org/trollope/picture1.htm for a full description and commentary.
• -----------------. Orley Farm, ed., introd. David Skilton. 1935; reprint Oxford: Oxford University Press, 1985.
• -----------------. Rachel Ray, ed., introd. D'Agostino, Rose C. 'Anthony Trollope's Rachel Ray, A Critical Edition: Volumes I and II. Ph.D. Dissertation, State University of New York at Albany, 1982.
• -----------------. Rachel Ray, introd. Andrew Wright. 1863; reprinted New York: Arno Press, 1981, Volume I, unpaginated. This edition includes a reprint of the original frontispiece and watercolour painting by John Everett Millais of the heroine.
• -----------------. Rachel Ray, ed., introd. P. D. Edwards. Oxford: Oxford University Press, 1988.
• -----------------. Rachel Ray, introd. John Letts. London: The Trollope Society, 1990. This edition includes a reprint of the original frontispiece and watercolour painting by John Everett Millais of the heroine.
• -----------------. Rachel Ray. New York: Dover, 1980. A republication of unabridged 1863 edition.
• -----------------. Miss Mackenzie, ed. introd. A. O. J. Cockshut. 1924; reprinted Oxford: Oxford University Press, 1988.
• -----------------. Miss Mackenzie. New York: Dover, 1986. A republication of 1865 two edition first published by Chapman and Hall.
• -----------------. Miss Mackenzie, introd. Mary Warnock. London: The Trollope Society, 1998.
• -----------------. The Claverings, introd. Norman Donaldson. New York: Dover, 1977. A republication of novel as it first appeared in the 1867 Cornhill. It includes the final page of Chapter VI mistakenly excluded from all other editions, and the complete set of full-page illustrations and rubrics drawn by Mary Ellen Edwards. For a full description and commentary see http://www.JimandEllen.org/trollope/picture3.htm.
• -----------------. The Claverings, ed., introd. David Skilton. 1924; reprinted Oxford: Oxford University Press, 1986.
• -----------------. The Claverings, introd. Max Egremont. London: The Trollope Society, 1994.
• -----------------. The Belton Estate, ed. introd. John Halperin. 1923; reprinted Oxford: Oxford University Press, 1986.
• -----------------. The Belton Estate, ed. introd. David Skilton. London: The Trollope Society, 1991.
• -----------------. The Belton Estate. New York: Dover, 1985. >. A republication of unabridged seventh edition by Chapman and Hall.
• -----------------. He Knew He Was Right, ed., introd. P. D. Edwards. St. Lucia, Queensland: University of Queensland Press, 1974. This edition is a reprint of the 1869 edition corrected by a study of Trollope's manuscript. It includes all the rubrics and full-page illustrations by Marcus Stone; however, they are placed at the back of the book.
• -----------------. He Knew He Was Right, ed., introd. David Skilton. Skilton's text is based on a collation of Trollope's manuscript and a photographic reproduction of the text of the first two-volume edition. London: Everymand, 1994.
• -----------------. He Knew He Was Right, introd. Robertson Davies. London: The Trollope Society, 1994. This edition includes the complete set of Marcus Stone's full-page illustrations placed as they appeared in the original edition. However, it does not include the rubrics.
• ------------------. He Knew He Was Right, ed. introd. John Sutherland. Oxford: Oxford University Press, 1985. The introduction and notes are superb.
• ------------------. He Knew He Was Right, ed. introd. Frank Kermode. Sutherland. New York: Penguin, 1994. The text is that of the 1869 edition which was based on the 32 weekly parts as issued between October 1868 and May 1869. The introduction and notes are good.
• -------------------. The Vicar of Bullhampton, ed., introd. David Skilton. 1924; reprinted Oxford: Oxford University Press, 1988.
• -------------------. The Vicar of Bullhampton, ed., introd. John Halperin. London: The Trollope Society, 1998.
• -------------------. The Vicar of Bullhampton. London: Bradford and Evans, 1870. It includes all 35 full-page illustrations by Henry Woods in the places they appeared.
• -------------------. The Vicar of Bullhampton. New York: Dover, 1979. A republication of the original Harper Bros. 1870 edition which includes all the full-page illustrations.
• -------------------. Ralph the Heir, ed., introd. John Sutherland. Oxford: Oxford University Press, 1990. This edition includes two appendices, one an essay on Trollope's experience at Beverley which is directly mirrored in the novel, and the other on Charles Reade's dramatisation of the novel as Shilly-Shally.
• -------------------. Ralph the Heir. New York: Dover, 1978. A republication of the unabridged 1871 Strahan and Company London edition. It includes all twelve original full-page illustrations by Francis Arthur Fraser.
• -------------------. Ralph the Heir, introd. John Letts. London: The Trollope Society, 1996.
• ---------------------. Lady Anna, ed., introd. Stephen Orgel. 1984; reprinted Oxford: Oxford University Press, 1990.
• ---------------------. Lady Anna, J. Hillis Miller. 1874; reprinted New York: Arno Press, 1981.
• ---------------------. Lady Anna, introd. Paul Johnson. London: The Trollope Society, 1990.
• ---------------------. Lady Anna. New York: Dover, 1984. A republication of unabridged unaltered edition of Chapman and Hall's text of 1874.
• ---------------------. The Way We Live Now, ed. introd. Robert Tracy. Indianapolis, New York: Bobbs-Merrill Library, 1974. This edition includes Trollope's comments about the novel, his notes towards it, some letters by him referring to it. The text is that of the first edtion in 1875, collated with the first installment publication between February 1874 and September 1875, with the divisions carefully noted and dated.
• ---------------------. The Way We Live Now, ed., introd. John Sutherland. 1941; reprinted Oxford: Oxford University Press, 1991. This edition includes essays on the topography of the novel, uses of dialect, on the composition and publication of the text, as well as an essay on Trollope's original working materials towards the novel.
• ---------------------. The Way We Live Now, ed., introd. Frank Kermode. New York: Penguin, 1994. The text is the last edition of Trollope's novel (1877).
• ---------------------. The Way We Live Now. A republication of the 1875 Harper and Bros. New York edition which reprinted the complete set of full-page illustrations by Lionel G. Fawkes. Dover: New York, 1982.
• ---------------------. The Way We Live Now, introd. Noel Annan. London: The Trollope Society, 1992. This edition does include, as a frontispiece, the magnificent drawing by Fawkes of Melmotte standing between two columns in front of a set of stairs, striding the world like a nervous Colossus.
• ---------------------. Is He Popenjoy?, ed., introd. John Sutherland. Oxford: Oxford University Press, 1986. The essay is superb.
• ---------------------. Is He Popenjoy?, introd. David Skilton. London: The Folio Society, 1998. This edition includes 16 full-page illustrations by Kate Aldous dropped into the text in the appropriate places. They make for interesting study against the text. Skilton's essay is good. The Trollope Society edition is exactly the same with exactly the same introduction by Skilton, minus the illustrations. li>---------------------. The American Senator, introd. Louis Auchinloss. London: The Trollope Society, 1994. The text of this editin is that of the original serial publication in Temple Bar betwene May 1876 and July 1877 corrected against the first book edition of Chapman and Hall 1876.
• ---------------------. The American Senator, introd. John Halperin. 1931; reprinted Oxford: Oxford University Press, 1986.
• ---------------------. The American Senator. New York: Dover, 1979. A republication of the original edition of Chapman and Hall in 1877.
• ---------------------. John Caldigate, ed., introd. N. John Hall. 1946; reprinted Oxford: Oxford University Press, 1993.
• ---------------------. John Caldigate, ed., introd. R. C. Terry. London: The Folio Society, 1995. The text is taken from the the serial instalment in Blackwood's between April 1878 and June 1879. This edition includes 16 full-page illustrations by Francis Mosley dropped into the text in the appropriate places. They are often from the sections about or placed Australia. One is of a tall clipper sailing ship. They are worth looking at against the text. The Trollope Society edition is exactly the same with exactly the same introduction by Terry, minus the illustrations. Again the introduction is good.
• ---------------------. Ayala's Angel, introd. Julian Thompson. 1929; reprinted Oxford: Oxford University Presss, 1986.
• ---------------------. Ayala's Angel, ed., introd. Alice Thomas Ellis. London: The Folio Society, 1989. The text has been corrected against the first 1881 book edition of Chapman and Hall. This edition includes 16 full-page illustrations by Robert Greary dropped into the text in the appropriate places. They are often gay landscapes of London, picturesque versions of upper class life in the parks and streets of the period. They capture something of the atmosphere of the book. The Trollope Society edition is exactly the same with exactly the same introduction by Ellis, minus the illustrations.
• ---------------------. Marion Fay, ed., introd. Geoffrey Harvey. Oxford: Oxford University Press, 1992. The text is that of the 1882 edition brought out by Chapman and Hall.
• ---------------------. Marion Fay, introd. J. Hillis Miller. London: The Trollope Society, 1997.
• ---------------------. Marion Fay, ed., introd. R. H. Super. Ann Arbor: University of Michigan Press, 1992. This book includes all the original illustrations by William Small.
• ---------------------.Mr Scarborough's Family, ed., introd. Geoffrey Harvey. Oxford: Oxford University Press, 1989. Harvey has corrected a 1973 reprint of the 1883 Chattus and Windus text against the actual 1883 text. The text that appeared serially in All the Year Round between 27 May 1882 and 16 June 1883, was bowdlerised to make the central male, Mr Scarborough less offensive to readers.
• ---------------------.Mr Scarborough's Family, ed., introd. Richard Mullen. London: The Trollope Society, 2000. Mullen has also collated the original with a bowdlerized text and inserted back some of the omissions.
• ---------------------.Mr Scarborough's Family. New York: Dover, 1988. A republication of the 1907 reprinting of the novel first published by Chatto and Windus in 1883.

Other books and essays which include material on Trollope's art and novels in general will be found in the other bibliographies in this Trollope region. The above novels are arranged in chronological order.