Original Illustrations to Trollope's Novels

• Trollope, Anthony. Christmas at Thompson Hall. New York: Harper Bros, 1876. Produced as a separate novella, this edition contains all eight of the comic illustrations of William Small as they originally appeared in the 1876 Graphic Christmas number. They are comic and appropriate. If not very carefully drawn, they tell a good deal about how the publisher and illustrator thought the public would read this short story.
• -----------------. The Claverings, introd. Norman Donaldson. New York: Dover, 1977. A republication of novel as it first appeared in the 1867 Cornhill. It includes the final page of Chapter VI mistakenly excluded from all other editions, and all sixteen full-page illustrations and chapter heading rubrics drawn by Mary Ellen Edwards.
• -----------------. Can You Forgive Her?, introd. David Skilton. London: The Trollope Society, 1989. This edition includes the complete original set of 40 illustrations, 20 by Hablôt Knight Browne('Phiz') and 20 by Miss E. Taylor.
• -----------------. Framley Parsonage, introduced by Antonia Fraser. London: The Trollope Society, 1996. This edition contains all six of John Everett Millais's original full-page illustrations for the first serialisation and edition of the novel.
• -----------------. The Golden Lion of Granpère. New York: Harper and Bros., 1872. This is the first American edition of the novella and includes the eight full-page, eight half- page and eight quarter-page illustrations by Francis Arthur Fraser, each aligned or dropped into precisely the appropriate point in the text. (The complete set of twenty-four illustrations may also be found in copies of the serialisation in Good Words which ran from January through August 1872.)
• -----------------. He Knew He Was Right, ed., introd. P. D. Edwards. St. Lucia, Queensland: University of Queensland Press, 1974. This edition is a reprint of the 1869 edition corrected by a study of Trollope's manuscript. It includes all the rubrics and full-page illustrations by Marcus Stone; however, they are placed at the back of the book.
• -----------------. He Knew He Was Right, introd. Robertson Davies. London: The Trollope Society, 1994. This edition includes the complete set of Marcus Stone's full-page illustrations placed as they appeared in the original edition. However, it does not include the rubrics.
• -----------------. Kept in the Dark, introd. Derek Parker. London: The Trollope Society, 1997. Includes as frontispiece the original full-page frontispiece by John Everett Millais.
• -----------------. The Last Chronicle of Barset. New York: Harper and Bros, 1867. Contains all thirty-two full-page illustrations and twenty-eight of thirty-two vignettes. George Housman Thomas drew sixty-four illustrations for the 1867 Smith, Elder first edition. This is the best edition to study. The engravings are beautifully reproduced; the book numbers also include the original dustjackets which are relevant to understanding how the book was perceived and who was its original audience.
• -----------------. The Last Chronicle of Barset, introd. A. N. Wilson. London: The Trollope Society, 1997. Twelve of the original set of thirty two full-page illustrations are reprinted. The choice of illustration is very puzzling.
• -----------------. Orley Farm. 1862; reprinted New York: Dover, 1981. A reprint of the 1862 Chapman and Hall edition; it contains all forty of John Everett Millais's full-page illustrations.
• -----------------. Orley Farm, introduced by John Mortimer. London: The Trollope Society, 1993. It too contains all forty of Millais's illustrations.
• -----------------. Phineas Finn, The Irish Member, introduced by J. Enoch Powell. London: The Trollope Society, 1989. This edition contains all twenty of the original full-page illustrations by John Everett Millais.
• -----------------. Phineas Redux, introduced by Robin Gilmour. London: The Trollope Society, 1990. This edition contains all twenty-four of the original full-page illustrations by Francis Montague Holl.
• -----------------. Rachel Ray, introduced by John Letts. London: The Trollope Society, 1990. Includes as frontispiece the original watercolour painting of the heroine by John Everett Millais.
• ------------------. Ralph the Heir. 1871; reprint New York, 1978. This is a reprint of the Strahan edition, which contains eleven (not twelve) of the original eighteen full-page illustrations by Francis Arthur Fraser.
• ------------------. The Small House at Allington, introduced by Margaret Markwick. London: The Trollope Society, 1997. This edition contains all eighteen of John Everett Millais's full-page illustrations (dropped into the appropriate place) and, somewhat reduced, six of the original nineteen vignettes.
• -----------------. The Struggles of Brown, Jones, and Robinson by One of the Firm. 1870; reprinted New York: Arno Press, 1981. This edition contains all four of the original full-page illustrations of the novel.
• -----------------. The Vicar of Bullhampton. 1870; reprinted New York: Dover 1979. A reprint of the Bradbury, Evans edition, which contains all thirty-five of Henry Woods's full-page illustrations.
• ------------------. The Way We Live Now. 1875; reprinted New York: Dover, 1982. A reprint of the first American Harper and Bros edition, which contains all forty of Lionel G. Fawkes's full-page illustrations.